One of the biggest challenges photographers face is night portraiture. In essence you're trying to solve two problems; one is getting a portrait correctly, and the other is to properly illuminate both your subject and the background.
First time I've ever attended a Bluegrass concert - it was great! Back
Eddy Bluegrass is a local band out of New Bedford - I think they might
be planning to use some of my shots in the revision of their website. Fairly tough shooting conditions - the Gazebo's pillars get in the way of optimal line-of-sight to the performers and they're under shade during a cloudy day - as a result, I was getting a larger than desirable DOF because I had to use a Speedlight. Fortunately, the background was well off in the distance which still gave me reasonable bokeh.
Another dreary Press Preview Day for the RI Air National Guard Air Show. Rather than live with low-contrast color photos, I decided to challenge myself and convert the best to B&W.
I keep re-learning this lesson - even with a D2 and 8 fps, which is the fastest camera I've ever owned to date, anticipation timing is still required. The CAM2000 AF system on the D2 is also pretty infallible, but if you're in the wrong mode for the subject at hand (fast speed, somewhat unpredictable flight path) then all that technology means nothing. It still boils down to the photographer knowing the equipment *and* thinking ahead to maximize the chances for a good frame.
As one would expect, most of my photos are from Nikon film and digital cameras, but here's one from a Canon Powershot I took on vacation one time courtesy of a friend. At the local zoo, all the animals of one display had just received their mid-afternoon treat. I was struck by the symmetry of how they all sat and ate - I call this one "Lunchbreak."
Another of my "found shots" - oddly enough, it was an advertisement for neon signs, but the display was facing the back of a tiny, narrow parking lot in on a side-street in Newport. No way he was getting much in terms of drive-by business...