<?xml version="1.0" encoding="ISO-8859-1"?>
<feed xmlns="http://www.w3.org/2005/Atom">
    <title>ramesses&apos;s Blog</title>
    <link rel="alternate" type="text/html" href="http://blog.nikonians.org/ramesses/" />
    <link rel="self" type="application/atom+xml" href="http://blog.nikonians.org/ramesses/atom.xml" />
    <id>tag:blog.nikonians.org,2009-02-08:/ramesses/54</id>
    <updated>2009-06-09T21:10:33Z</updated>
    <subtitle>ramesses&apos;s new blog</subtitle>
    <generator uri="http://www.sixapart.com/movabletype/">Movable Type Open Source 4.1</generator>

<entry>
    <title>My Next Lens Purchase</title>
    <link rel="alternate" type="text/html" href="http://blog.nikonians.org/ramesses/2009/06/test.html" />
    <id>tag:blog.nikonians.org,2009:/ramesses//54.1925</id>

    <published>2009-06-06T21:58:04Z</published>
    <updated>2009-06-09T21:10:33Z</updated>

    <summary>I am now turning my attention to the mid-range primes. Bellow is a picture my old Super Contaflex and my old Tessar f/2.8. What a lens!I had the Super Contaflex model that came out later - same looks. It was...</summary>
    <author>
        <name>Ramesses</name>
        <uri>http://www.hektorsphotos.com</uri>
    </author>
    
    
    <content type="html" xml:lang="en-US" xml:base="http://blog.nikonians.org/ramesses/">
        <![CDATA[<font style="font-size: 1.25em;"><font style="font-size: 0.8em;">I am now turning my attention to the mid-range primes. Bellow is a picture my old Super Contaflex and my old Tessar f/2.8. <b>What a lens!</b></font><br /><br /></font><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Thumbnail image for Thumbnail image for Contaflex.jpg" src="http://blog.nikonians.org/ramesses/assets_c/2009/06/Contaflex-thumb-400x336-thumb-300x252.jpg" class="mt-image-left" style="margin: 0pt 20px 20px 0pt; float: left;" width="300" height="252" /></span>I had the Super Contaflex model that came out later - same looks. It was a consumer grade camera that competed very
successfully against the pro and very expensive Leica M2 and M3.<br /><br />The Contaflex was a very interesting camera and I believe the first of
its kind. It had a leaf shutter and SLR without an up-and-down mirror.
Therefore, only the front element could be interchanged. The advantages
were a smaller and quieter SLR. The main disadvantage was that the lenses
focal ranged from 35mm - 110mm.<br /><br />The Zeiss Tessar 50mm f/2.8 is probably the best lens I ever had.&nbsp; I used to blow the slides up on a massive screen and they never lost resolution.&nbsp; On the other hand, when I "upgraded" to the Canon A1 and AE1 system, the photos taken with the Canon 50mm f/1.4 lens,&nbsp; projected on the same screen, lost resolution, they were not as sharp, and the color rendition was not the same.&nbsp; <br /><div align="left">&nbsp; <br /></div><span class="mt-enclosure mt-enclosure-image" style="display: inline;"><img alt="Thumbnail image for Zeiss 35.jpg" src="http://blog.nikonians.org/ramesses/assets_c/2009/06/Zeiss%2035-thumb-100x135.jpg" class="mt-image-right" style="margin: 0pt 0pt 20px 20px; float: right;" width="100" height="135" /></span>I made up my mind. My next lens is going to be the Zeiss ZF 35mm f/2 Distagon T*. When? I have no idea! I really want my Zeiss lens back
even though this one speaks German with a Japanese accent. I've waited
for over 25 years; I can wait a 26th one.<br /><br />After the 70-200 VR, I thought I was done, but it is no fun. It is
always nice to have something to look forward to, but with time.
However, I will not go over 12 lenses; any new one has to replace a present one. The lenses that could be replaced with only Zeiss lenses
(the exception being the Nikon AI-s 50mm f/1.2) are:<br /><ul><li>Nikon AF-D 35mm f/2</li><li>Nikon AF-D 50mm f/1.4</li><li>Nikon AI 28mm f/2</li><li>Tamron 17-35mm f/2.8-4<br /></li></ul>The
rest of my lenses are "lifers" and untouchables. However, I will look at
and research one lens at a time. The ZF 35mm is fully researched and
prioritized. After that, I do not have the slightest idea. The Zeiss
100mm Makro-Planar as well as anything below the Distagon 25mm has been
discarded from consideration.<br /><br />My criteria for selecting mid-range primes is not according to focal length.&nbsp; That is easy: 24mm, 35mm, 50mm, and maybe 85mm.&nbsp; However, the Nikon 24-70 is as good as any of the primes, if not better, and has all those ranges in one lens at f/2.8, at considerable less cost. My criteria for selecting mid-range primes is based on use.&nbsp; <br /><br />The 28mm is my "normal" lens for the D300 (42mm DX format) and the 35mm for the D700. The 50mm f/1.4 is for low light situations and as a portraiture lens for the D300.&nbsp; I very seldom, if ever, go out with more than one lens - hate with a passion to change lenses in the field. If I ever reconsider the 85mm range, I'll get the Zeiss 85mm Planar f/1.4 T*.&nbsp; However, it will be at the expense of the Tamron 17-35mm.<br /><br />My biggest hurdle in selecting the
ZF 35mm was that I believe that my copy of the Nikon AF-D 35mm is a
very sharp. The ZF 35mm is a no-brainer, imho. On the
other hand, what does it gain me? I do not think that it is much of an
upgrade, besides being a manual lens - an important consideration. My problem is that I simply want a Zeiss lens and the 35mm is
the right one to start out with. In other words, I "crossed that
proverbial bridge."<br /><br />One main reason for starting with the ZF 35mm is the obvious one - the multiple-role one. It gives me the 35mm focal range on the D700 and ~ 50mm effective focal range on the D300. It is also less costly than other Zeiss lenses ($826) and among their sharpest - better than either the ZF 25mm f/2.8 or the ZF 28mm f/2. <br /><br />I really do not care for screw-driven lenses.&nbsp; The turning barrel gets me all the time and no override.&nbsp; I much rather have manual lenses. My plan is to go with fast prime lenses, f/2 or faster, and AI-s
compatible, in the mid-range.&nbsp; They have to be better, faster, and different from
zooms. Manual lenses give me more control and they are more fun to work
with.&nbsp; I compare manual lenses to a manual transmission in a car;&nbsp; I
have enough "automatics."<br /><br />My AI 28mm f/2 is almost
untouchable.&nbsp; If, and only if, the ZF 35mm is head and shoulders over the AI 28 in
color rendition, IQ, and sharpness then I would go after the ZF 28 f/2. I love my 28mm and it will take some kind of a lens to displace it (I seriously doubt it.)<br /><br /><div align="center"><img alt="Thumbnail image for Thumbnail image for AI 28mm 1.jpg" src="http://blog.nikonians.org/ramesses/assets_c/2009/06/AI%2028mm%201-thumb-463x600-thumb-150x194.jpg" class="mt-image-left" style="margin: 0pt 20px 20px 0pt; float: left;" width="180" height="228" /><img alt="Thumbnail image for Thumbnail image for AI 28mm 2.jpg" src="http://blog.nikonians.org/ramesses/assets_c/2009/06/AI%2028mm%202-thumb-300x204-thumb-300x204.jpg" class="mt-image-none" width="331" height="227" /><br /><br /><div align="left"><br /></div><div align="left">There is "talk" that Zeiss will announce a new line of consumer grade lenses, more affordable, with the same quality optics. In addition, there is "noise" about Zeiss the ZF 35mm Distagon with a workable f/1.4.&nbsp; If so, it will change my plans for the 50mm - the 50mm Makro-Planar f/2 will become a viable alternative.&nbsp; However, I do not know how much credence to give these rumors.&nbsp; <br /><br />I have another consideration or issue.&nbsp; My eyesight is not what it used to be.&nbsp; What am I doing, then, manual focusing in low light? Low light = D700 (not D300) = AF 50mm f/1.4 = Nikon AF-D 50mm f/1.4 or Nikon AF-S 50mm f/1.4 (I have not evaluated the AF-S version, yet.) Therefore, I'll start with the Zeiss ZF 35mm f/2 and take it from there - I cannot go wrong with the ZF 35.&nbsp; In addition, my need and desire for a Zeiss lens would have been fulfilled.<br /><br />Would it be nice to have all Zeiss mid-range primes? No question about it.&nbsp; Why not go after them?&nbsp; The short answer is D800 or D900.&nbsp; I just do not have the resources to do everything.&nbsp; I have no idea what the D900 would be like, for example.&nbsp; It could be that this is the camera you mount on your head and control with your eyeballs :).&nbsp; Only Nikon knows. Therefore, it becomes a choice between excellent mid-range primes and latest technology camera or&nbsp; excellent+ mid-range primes and <b>no</b> latest technology camera. <br /><br />In conclusion, I have run a whole series of scenarios with different combinations of the mid-range primes, they all have the Zeiss ZF 35 in it (I won't list them, for obvious reasons.) This is the process I go through before pulling the trigger on any new equipment. Therefore, I can safely state that it is not NAS.&nbsp; On the other hand, my mind is very adept at coming up with convoluted reasons to justify a purchase and/or camouflage NAS. In all honesty and at this time, I really do not know. Regardless, once I create the need - it is not worth living without the ZF 35 - I also create the urgency - I cannot survive one year without the ZF 35.&nbsp; This is bad, because I know that a week after getting the ZF 35 - my final purchase - another lens or equipment is in my sights and the process starts again.&nbsp; These things are expensive and it is not like purchasing a pair of pants or shoes. In other words, once the need and urgency is there, I'm miserable for not fulfilling them.&nbsp; <br /><br />I will always be miserable then, because something else will be in my sights. One big reason why I fought tooth and nail against getting the 70-200, so soon - I lost. The ZF 35 will have to wait; my AF-D 35 is just as good. I have to be happy with what I have and thankful for having it. &nbsp; &nbsp; <br /></div></div><br />(This was a big effort being my first message.&nbsp; This software is not that user friendly especially when posting images.&nbsp; I will get better with time, but at least I started using it.)<br /><br /><div><br /></div>]]>
        
    </content>
</entry>

</feed>
